Book Awards - Precarious and Providential

The news this week came from the US National Book Awards - in the young adult section, the judges chose five books for the shortlist but somehow six were announced. At first it seemed that yes, an error had been made in the announcement but they would stick with it. Now they have taken one book off the list - Shine by Lauren Myracle - or should I say, Myracle apparently "withdrew the book from consideration". Who knows what went on behind the scenes, but Myracle has behaved most professionally in what must be a horrible situation, and no doubt it has earned her many new fans.

There's a saying that all publicity is good publicity, but with the internet these days, that's not always true. An author a few months ago who tried to defend herself against a bad review received a huge backlash. True, she defended with insults! But in this world where hundreds of new books are published every week, where self publishers are using the net and Amazon to get their books out there, for many readers awards remain one of the standard guides for what is a "good book".

This week also there was much outrage about the shortlist for the Man Booker prize. This is an award for a book that is considered to be the best of the best in literary fiction, and the critics are complaining that the books are too "popular". So apparently the criteria for this award includes "too literary to be readable and/or enjoyable", which is a pity. Regardless of that, the uproar will help sales because all those people who thought the Man Booker shortlist was too literary might now go and buy at least one of them and actually read them!

The quandary with awards is this - they attempt to choose the best in a given year. The shortlist they come up with is a mix of opinion and compromise (the more on the judging committee, the more compromise - this is fact borne out by experience!). But for most awards, this shortlist influences book sales to an immense degree. Here in Australia, if you are shortlisted for one of the Children's Book Council awards, your book is guaranteed an immediate reprint and at least 3000 extra sales (a lot here in Oz).

What are the repercussions of this? For a start, if you get shortlisted, you are very, very happy! If your book doesn't get shortlisted, however (and if you aren't Andy Griffiths or writing a current hot series), your book will very likely die within 12 months and probably not earn out its advance. So the argument that book awards unfairly promote some books at the expense of a lot of others is a valid one.

For children's books, the other option is the various children's choice awards. I'm going to put my foot in my mouth here and say I actually think these are worthless to the author and their book. I mean worthless in terms of sales. For a book to win a children's choice award, it needs to have been already bought/borrowed and read by lots and lots of kids, so if you win one, it means you and your book (because often it's the author who is winning on reputation for great books) are already out there in huge numbers. But they are great validations for you personally, because it does show kids read and love your books. How good is that?!

It's interesting to see some state awards here now include a People's Choice award that is voted for by readers. (I do wonder though about the publishers who email you and urge you to vote - oh well, it all counts.) So awards are providential. You never know when you might get shortlisted, and if you win, good gracious! How wonderful, especially if the prize money is nice. But you can't count on them either. You just have to write, and believe in what you write, and keep on writing.

Writing Competitions - Yay or Nay?

At the moment there are several short story competitions being promoted, with large prize money on offer. One of these is run by Australian Book Review - the Elizabeth Jolley Prize which is worth $5000. When you look at the shortlist from last year, you may well wonder if it was worth entering. After all you'd be up against the likes of Cate Kennedy! But the site gives you the opportunity to read last year's stories on the shortlist and there was a Readers' vote award, too. But the thing that will make many newer writers pause is the entry fee - $16. If you're up against such stiff competition, is it worth the money to enter?

It's a good question. In fact, it's a good question to ask about any competition that requires an entry fee. How big is the competition? Is the fee too much? $16 is a lot to many writers, especially students or those on low incomes. The long-running Alan Marshall Short Story Award (closed two weeks ago) had an entry fee of $15. However, many of the smaller competitions have smaller entry fees. Try this site to have a look at what is open at the moment. For example, the Katherine Susanna Pritchard which is for speculative fiction (short stories) has an entry fee of $7 and a first prize of $600. Is it starting to sound a bit like a lottery?

What are the advantages of entering a competition, whether it's fiction or poetry?
* It gives you a deadline to get something written, revised and sent off.
* If the competition has a specific theme, it can provide a good challenge.
* Hey, you might win or get a placing!
* Sometimes a number of the best entries are published in a book (but not often).
* Judges are subjective, even if they deny it. Your story may strike a chord with the judge (but it still needs to be well-written). To me, this is the lottery part of it. You just never know.

What are the downsides?
* It usually costs money to enter (The Age Short Story Award is one of the few that doesn't charge a fee - maybe that's why they get about 1400 entries!).
* The bigger competitions are the ones that the more experienced writers enter so you're up against them.
* Unlike magazines that send you a rejection or acceptance note, you rarely hear from competition organisers unless you have won. It can feel like sending your work off into the never-never.

How do you decide what to do?
If you are a newer writer, start with the smaller competitions. Check the entry conditions very carefully. Not obeying the rules, even if they seem silly or pedantic, can lead to your entry being discarded. Choose a competition that sounds good to you - one where the entry fee is smaller but the prizes are still worthwhile. (Avoid a competition with a $10 fee, for example, and a $200 first prize.) Write something for your entry, give yourself plenty of time to revise and polish it up, and send it off. Keep doing this. And when you don't win (which is likely - it is a lottery!) then polish it again and send it off to a magazine instead.
Or save it for the Age competition!