Many hours spent marking student assignments but now it is over. I wanted to start writng again straight away but the brain wouldn't cooperate, so I have been reading and pottering around and now I am ready.
Spent 3 hours reworking bits of a fantasy series novel I was asked to write, and now I think it is working better. A fellow member of CCBC list kindly emailed me her notes from the Pikes Peak 2004 conference - the sessions with Donald Maas, who wrote "How to Write a Breakout Novel". They came at just the right time, where I could apply each of the points he makes to the fantasy novel in order to deepen character and motivation. It only meant adding a few sentences here and there, but I think those are going to be important sentences in terms of deepening the character and the story. I had read the Maas book a while ago (borrowed from a friend) and now I think I will look at it again.
Am reading a Linda Newbery book at the moment and finding it to be very engaging. The main character has a horrible younger sister who you just want to slap! This is the kind of book that I like to read first, then analyse for how she achieves the depth of character. I also read '(un)arranged marriage' by Bali Rai. It's published in the UK and is about an Indian arranged marriage, from the male's point of view. I found it to be a strange book, in that a large proportion of the story was just "told", as if the character was sitting in front of me telling me what happened, and then what happened next. Exactly what we are told, as writers, never to do! There were certainly many places where I wished the events were being shown in a scene, but overall the style didn't bother me too much. I do wish it hadn't been quite as much "telling" though.
The rest of my week will be more rewriting. A middle grade novel that needs work before giving to a valued writer friend for a critical read. Then maybe new words on another project. I hope.

As a bribe to get me through grading all those student novels and stories, I bought the new Jonathan Kellerman book, "Rage". I do like his characters - the child psychologist, Alex Delaware, and the policeman, Milo. They make a great team, and it's interesting, in this book especially, to look at how so much of the information the reader gets is through their conversations. There is a lot of speculation about who is doing what, providing possible red herrings and clues, and yet I didn't feel cheated. I felt as if I was going on the journey of investigation, one full of interest and people's motivation and psychology. It wasn't madly exciting, rather it was absorbing and fascinating. The villain turned out to be a multiple murderer, but in such a way that it bypassed the serial murder cliches.
I have started the critical read-through of the fantasy novel draft. And will be back to it again today. I know writers who say they love the rewriting process but for me it depends on the book, and maybe on my own frame of mind. I know that after all those student novels, I have come back to my own work with a very critical eye, so much so that I am feeling a bit despondent and thinking this novel is incredibly boring and I'm struggling with it.
The remedy at this point is to ask someone else to read a bit of it, someone who will tell me straight whether it is as awful as I think it is, or if I need to be kinder to myself! Writer friends are so good for this (as long as they are honest with you).
Back on the reading side of things - I also went to the library and got out a pile of books, including "Silent to the Bone" by E.L. Konigsburg. Got home and started reading and realised I had already read it a few months ago. Darn! I hate that. It is a good book but I'm not someone who can read the same book again with the same enjoyment. I'm a "surprise addict" - I read to find out what happens next, and if I already know, it takes half the fun out of it.
And yet I know people who skip ahead and read the ending before they're even past page 30. I couldn't think of anything worse!

I am starting to get writer's heeby-jeebies. That feeling that nags at you in the back of your mind and in your gut and makes you snappy and irritable and depressed. It comes from **not writing**. How long since I sat down and wrote something? Seems like years. And I have written a few poems and bits of a short story, and my journal while I was away - but it's not the same as working on a complete thing like a novel and getting that "high" from actually sitting there, pounding away at the keyboard, making it all happen on the page.
Sigh...
Instead I have been doing business-type stuff, trying to clear my desk and sort out my finances (here in Australia the end of the tax year is looming) and catch up on all kinds of stuff that's been put aside for way too long. And then there is the marking of the end of semester assignments. If I average 45 minutes for each one, and there are 42 to mark ... well, you do the maths. Suffice to say, this long holiday weekend will be nothing but marking and trying to allocate grades.
But the sooner it's done, the sooner I can write. Actually, rewrite. I have the draft of the Quentaris novel to rework and get in to the editor in 3 weeks time. So enough procrastinating (my favourite pastime!) - get moving!

After some thought, I decided not to post my Sydney diary to the blog as I did with the Chatauqua diary. This one was too personal, trying to deal with all the stuff that was coming at me, and I'm not one who believes that blogs are for totally spilling your guts!!
Some highlights of the past 10 days, however, include:
- Meeting Tim Winton and talking briefly to him, and also meeting and reading with Sam Wagan Watson. Sam's book of poetry, which won Book of the Year, is great and has sparked off several poems for me.
- Meeting the two publishers, Sharyn November and Marion Lloyd. This reinforced what we know so well but forget - that every editor and publisher is different, they all have particular ideas about what their list is, they all have different tastes, they all have different ideas about what might sell. And they still mostly have to answer to the bean counters and the marketing department.
- Hearing David Fickling (publisher) speak again about his passion for great books. His quote "If you write it, they will come" says to me that I have to write what I feel passionate about, what fascinates me, and keep at it. Never give up.
- Having time on my own to think, wander around Sydney (climb all over a sailing ship the Endeavour), write, think some more, and then think some more. Being at home, even when alone, doesn't somehow allow this.
When I came back to Melbourne and realised that the only publicity was going to be self-generated, I spent nearly a whole day on it, helped along by Victoria University where I teach part-time. Their media dept. was great. Don't ask me about whether the publicists at Penguin did anything...
So no writing, up until yesterday. Then I started a new short story that I am quite excited about. But can I pull it off? It's ambitious. Probably a good thing. And I tell a lie. I have been writing poems.
Now to go back, yet again, to the middle grade novel and work on Draft No. 6.
I plan to update my website this week and include photos. Coming soon...

What a week! My footy team, the Crusaders, has just won the Super 12 Final.
Bliss.

I have just spent a week up in Sydney, having a wonderful time. My book "Farm Kid" received the NSW Premier's Literary Award for children's books (called the Patricia Wrightson Prize) and I attended the dinner on Monday night. It was a great experience, very nervewracking and seeing Gough Whitlam in the audience didn't help. I sat at Table 9 (good omen - my birth date) with Julie and Laura from Penguin, and also Julie Gibbs, along with Donna Rawlins and Simon French. As the night went on, my shaking got worse. However at the crucial moment I did manage to get up on the dais and receive the award without falling over!
The following is my speech, and the note at the end explains why I'm putting it on my blog.
***Farm Kid began in 2002, at a summer school in Fresno, California, where I wrote two poems about my childhood on our farm. Over the next 12 months it grew into a story that I cared very deeply about, but I was never convinced that it would be published. After all, it was about a farm and it was poetry.
My thanks must go first of all to my writing group, Western Women Writers, to whom I now owe an enormous chocolate cake, and to fellow poet, Kristin Henry, who was a very experienced and understanding sounding board.
Special thanks to Julie Watts at Penguin who, much to my astonishment, said yes, we’ll publish it, and Christine Alesich, my editor, who worked so hard with me on shaping the final book. Thanks also to the illustrator, Christina Meissen, for her wonderful cows.
And thank you to my husband, Brian, who is now very used to waving his hand in front of my face to bring me back from wherever I’ve “gone” this time.
I hope that Farm Kid resonates with everyone who reads it, and I hope lots of people do, not only kids. The problems caused by drought are not going to go away and the losses that come with it reach far deeper than money. When someone tells me the book has made them cry, then I know it’s working.
Recently in an article in the magazine, The Monthly, Malcolm Knox talked about book sales, and prizes as consolations: I quote: “So and so won the Premier’s Award, which is nice for her but the book sank.”
All I can say to that is “Not if I have anything to do with it”.
***
Now, I actually met Malcolm Knox at the opening night party of the Writers' Festival, and thanked him for the quote, and the article, which was very interesting. He said, "You realise that that wasn't a quote from me, it was from a book publisher."
I said, Yes, I did realise that but it was hard to make that clear in the speech. He wouldn't reveal which publisher had actually said it; however, I did promise that I would explain my use of the quote to listeners or readers, so here it is. If you want to read the full article (it's about the effect of Bookscan on literary publishing in Australia) see the new magazine "The Monthly".
The festival itself looked interesting, similar to the Melbourne one but many more political sessions, and little on writing itself. I would have loved to go to one of Alice Sebold's sessions, but had to fly back home Thursday afternoon. I did a reading with other Premier's Awards winners on Thursday morning, and then was really disappointed to discover that the bookshop had no copies of my book in stock!! As there were several people who came up to me after the reading and said they wanted to buy "Farm Kid", I was even more disappointed. If you're reading this and would like a copy, please do order it (this is the desperate author speaking who wants to cry when people say they can't find my books in the shop).
I met many interesting and lovely authors and publishers during the week, including Sharyn November (Penguin US/Firebird) and Marion Lloyd (UK publisher who now has her own imprint with Scholastic). Also Ursula Dubosarsky, Margo Lanagan and Sam Wagan Watson. And at the dinner I got to shake hands and talk to Tim Winton!

At the moment I am struggling through a huge book - "Doomsday Book" by Connie Willis - that a friend lent me. It's a time travel novel, about a girl who gets sent back to 1320 by a machine/net thing run by academics at Oxford Uni. I say struggle because it's very dense and moves back and forward rather than just being about her in 1320. It's interesting though, so I will keep going. In the meantime I just had to buy and start reading Sue Monk Kidd's new book "The Mermaid Chair". I loved "The Secret Life of Bees" and I have to admit that so far (up to Chapter 5) this one is just not engaging me. It's a novel about a woman who is happily married but somehow discontented, has a crazy mother and has to go and look after her for a while and launches into a disastrous "affair" (so the blurb tells me - I'm not up to that yet). I don't know ... it just feels like many things I've read before. I'm hoping it sweeps me up soon and carries me away!
No writing this week, apart from a speech I have to make on Monday night which is totally scaring me to death. More on this next week, when the cone of secrecy is lifted.
I had written, finally, (during one of the less engaging conference sessions last week) a more or less draft of a picture book I have been playing with for a few weeks so should work on that this weekend. After I finish class prep and a variety of other jobs on my list. No wonder I am hanging out for the school holidays again. And I imagine those writers with kids are dreading them!

After much fiddling on my end and some (more and more desperate) emails to the Blogger people, I now have Comments!! And no doubt I will receive none. But a few people have emailed me - thank you - so hopefully now all will go smoothly.
A full day of classes yesterday, and we are into the workshopping part of the semester. Five lots in Writing for Children class and two stories in Short Story 2. Everyone is so different - diferent voices and styles, different ideas, and of course, different mistakes. And the challenge is always "how can this be made better? how can this problem be fixed?" There is never a magic answer, only suggestions and ideas, and then it's back to the drawing board for the writer.
I had a long phone conversation with a writer friend on Sunday night, describing the conference and what happened and what I heard. It helped to crystallise a few things I had been thinking about - just like workshopping really! And it reminded me, more than anything, of another weekend I went to several years ago, where two of us writers sat at dinner one night and worked out some very interesting theories on how male writers behave in public (i.e. at conferences where they are "on show") and how female writers behave. By behave I mean how they present themselves to the audience, and to those around them between sessions.
Male writers seem to have personas, and a certain confidence in their abilities and achievements. On the weekend, most of the male writers presented themselves as humorous, breezy and relaxed. And the females were serious, self-deprecating and calm. Except for one young woman who was genuinely hilarious.
So those theories were proved again - and trust me, I am not being sexist. I am merely observing how people present themselves and there are always exceptions. So I won't go on and describe the circles theory of "who you know" !!

I have just been to the Youth Literature conference in Melbourne - Reading Matters. Another excellent conference organised by Agnes Nieuwenhuizen and her trusty band of Mike and Lili. Over 300 people there this time, more than ever, but mostly teachers and librarians. It is not a writing conference, it is a books and reading conference and focuses on new books and writers, how stories are written (which is the bit of interest to me) and ideas and issues.
There was quite a bit of emphasis on issues this time - lots of talk about refugees, how to write fiction that explores issues without being didactic, do books make a difference? The overseas guests were Adeline Yen Mah, Tessa Duder (NZ), Karen Levine (Canada), Malorie Blackman (UK) and David Fickling (UK).
David F was of the most interest to me as he is a publisher and his authors include Phillip Pullman and Mark Haddon. He was very genuine, humorous and gave me, as a writer, hope about the state of publishing. I have problems with the bean counters, the ones who write the contracts, and there were a few editors and publishers in the audience. When he spoke about books with such passion and described how to "capture" an author (kind of like enticing fairies or elves - leaving delicious food out on the lawn and staying very, very quiet), I saw a lot of the editors nodding and smiling. A heartening sight.
There were some very good sessions - for example, one on girls's stories and one on boys' stories which raised some interesting points. Malorie Blackman was very energetic and talked about her writing with great enthusiasm and clarity. Karen Levine did a presentation on her book "Hana's Suitcase" which is about a suitcase which survived the Holocaust and how this Japanese woman tracked down who owned it (a 13 year old girl who died at Auschwitz) and then found the girl's only surviving relative. There were quite a few tears in the audience for that session!
My favourite quote for the weekend was "Outside a dog, a book is a man's best friend. Inside a dog, it's too dark to read." Groucho Marx.

Tried to work on the novel on the weekend - tried to focus, but nothing was happening. I was in that space where I hated the whole darn thing and wished I'd never written it! Well, not quite, but I think that's why sometimes I find rewriting so hard. There are days of writing like that too. Some days you sing, some days you groan.
I put it away and decided to come back to it in a few days when I feel more positive. In the meantime I have been writing poems, experimenting with a new verse novel idea. As if I don't have enough just-started or unfinished pieces hanging around. This is where I marvel at Jane Yolen, who talks in her journal about working on all sorts of things all the time, going from one to the other.
That raises the eternal question for me - if I was able to write full-time, would I have the discipline to produce? At the moment, I squeeze writing in amongst teaching and other necessities, and I'm pretty determined to find those spaces of time. But if all I had was time, would I use it as well?
On the reading front, I read Louise Rennison's new book over the weekend - "And That's When it Fell Off in my Hand". (I think in the US they have titled it "Away Laughing on a Fast Camel" for some reason.) It is pure fun, had me laughing out loud quite a few times, and thoroughly cheered me up.

I have been looking at a few other blogs recently - it's fascinating to see all the different styles and approaches. One was writing and poetry news items only (quite boring but useful), another was aimed at teen readers.
I have been reading Jane Yolen's online journal for several months now. She is so down-to-earth and talks about what she is working on, as well as rejections and acceptances of manuscripts and news from home. She likes readers to email her with comments and I've been quite excited to see that recently she has used a couple of my emails. I did enjoy her story of the fat and gaunt cows. Go to www.janeyolen.com and click on the journal link.
The early part of the week is always about teaching for me. Workshopping in most classes is either underway or about to start. It can be a tedious exercise if students don't contribute or understand what they can get out of it. I know that at the moment it's feeding back into my own writing by showing me how to more easily cut out what is not necessary, and also to acknowledge my gut feelings about a section. The tendency is to ignore that feeling - to think, Oh it'll be OK as it is.
On the weekend I had a three page section that had a lot of necessary explanation in it. That's what I told myself at first. Then I had to acknowledge that those pages were long and wordy, and find a way to trim them back.
What is hardest to workshop is the great story that is well written, but something just isn't working in it. We had one of those the other day, and it took a while before I could hone in on what it was. Basically it was the movement back and forth in time - too slow and explanatory. Everything in the story could easily take place in the "now" of the story. I'm looking forward to seeing what the student does with it, as it is potentially a very good story.

Yesterday we had a forum for children's writers which went well. Lisa Riley from Penguin spoke (or should I say, she answered my prepared questions and then lots of audience questions) and of course everyone asked about the series (Nibbles, Bites and Chomps). She was very generous with her information and advice.
Meredith Costain was the guest writer. Her experience and range of books is amazing. Lots of non-fiction, which I wish I could write, or at least feel more committed about writing, and beginner readers that really interest me. They are a real challenge - making something substantial out of so few words.
The Q&A session was interesting - a bit unfocused, I thought, which was possibly my fault, but I'm not sure how we could have done it differently. It seemed to get sidetracked a lot. However, in the evaluations people gave good suggestions on what they'd like next time. Many requests for business pointers, how to make the business side run more smoothly and how to deal with tax etc.
I have been working on the middle grade novel, cutting mostly, and so far have got rid of about 9 pages. It's great to be able to finally stand back from the story a bit and see what isn't necessary, what is slowing it down. I had one whole scene and when I looked at it again, I thought - why is that there? So out it went.
Trimming and cutting - with big editor's scissors, not writer's clinging - will continue!
Despite trying twice and also emailing Blogger people for help, the Comments function still does not work here. But you can email me at kidsbooks@optusnet.com.au

At last, after what seems like months (but is only probably 10 days), I have some writing time. Never mind that I have assignments to mark - they can wait until the weekend. Today is free for writing! (And here I am blogging!)
I have tried to add the "Add comments" action to this blog to see if I get any responses, but as I had to cut and paste some HTML, who knows if it will work.
In my Novel 2 class on Wednesday, we finished our last discussion on "House of Sand and Fog". Have been reading large chunks of it week by week and discussing (with set questions from me) as we go along. It has been fascinating to hear the heated discussions over the characters, who they feel the most sympathy for and how the voices and characters work for them.
I chose the book because of the dual point of view and the depth of characterisation, and although most students felt it was a dark book with little hope, it sure got them talking! I don't know if Dubus has published another one since, but I must check.
I received a contract back this week - for a beginner reader - and was pleasantly surprised to see that they had accepted all of my amendments. Even the one where I limited them to 3 years on unused rights. Then I got an email to say the publisher has been bought out by someone else, so who knows what will happen. The editor says the series is still going ahead. Hmmm.
I think I am ready to tackle the rewrite of my middle grade novel. It needs a new beginning and probably 25% cut from the first 70 pages. That'll be a challenge!

Last week I tried out the Book Crossing website - it's where you "release" books into the wild - as in, you leave a book somewhere like a tram or train or park seat, along with a sticker or book plate to explain what Book Crossing is. Whoever picks up the book is asked to log in to the site, using the code number you have put in the book, and say what they are going to do with it - where they leave it after they have read it. It's like the "pass the parcel" game we used to play at parties as kids. Except everyone who finds the book gets a free reading experience, they get to participate in logging in and tracking the book, and they get to release it again.
It's a lot of fun. I released a copy of "Farm Kid" because it is a kid's book that has just been shortlisted for the NSW Premier's Awards and no one seems to know about it. Like many poetry books, it languishes behind fiction and I wanted to try new ways of getting it out to readers. We shall see where it goes!
I have done no writing for 5 days - have been at a beach resort helping 2 friends to celebrate 50th birthdays. Came home and started a poem, but also have been rethinking my middle grade novel and playing with possibilities on how to cut the first half of the book back by 25% and get the pace moving more.
I have also been reading Elizabeth George's new novel and loving it. Nearly 600 pages and I only have about 20 pages to go. It is so fabulous to be deep into a great book, and enjoying it so much that you don't want it to end. I want to take some of her descriptions of places and use them in my classes for exercises and examples.
Ten stars to EG!

After having it on my shelf for about 2 years, I finally got around to reading "Hatchet" by Gary Paulsen, and thought it was terrific. As a writer, to have a whole book of mostly just one character doing stuff to survive sounds like such a hard sell - how not to be boring! But the boy is so well written, and I was almost disappointed when he was rescued. He learned so much, and made lots of mistakes, and each challenge got bigger and bigger - great example of raising the stakes.
I also read a new book from the library "The Boy Who Spoke Dog" by Clay Morgan. It was quite different, and had two points of view - the shipwrecked boy and the dog, Moxie. To read chapters from the dog's POV was so interesting. I thought he captured dog thoughts really well. Sad ending.
Writing has come to a halt, not for lack of time but lack of impetus right now. After finishing the first draft of the fantasy novel (which isn't due to the publisher for 3 months yet so plenty of time for rewriting and polishing), I feel at a loose end, not yet able to fully focus back on the historical novel. Am fiddling with other stuff in the meantime - a picture book and a historical story.
Spent nearly the whole class yesterday (Writing for Children class) going on and on about characterisation, character needs, what drives the story etc. I could see some of them start to glaze over. But now we have covered it in depth and I am happy that the class is finally taking shape after so many breaks.
Every week I want them all to have read the books I've read so we can talk about them and of course they rarely have! If I ever ran a book club, I'd have everyone reading a book a day!!

Writing can be so up and down. One day you're writing at a mile a minute, feeling like the best, most prolific, inspired writer in the world. The next day you can sit down and feel like your brain is made of mud.
I keep remembering the quote I read - Real writers write even when they don't want to. That usually keeps me at the desk!
Publishing is even more up and down. One day you can be over the moon because you've had a book accepted. A week later you can be tearing your hair out because the contract is terrible and you have to grit your teeth and negotiate somehow. And then your book comes out and gets a bad review.
It always comes back to the writing, I guess. If you don't love the process, the creation, the high from having written something that just might be OK - if you only are waiting for fame and recognition and maybe money - maybe you should try something else.
That's what I tell myself on the downer days, anyway.
And I also tell myself - being a writer is about perseverance and craft and always trying to do better.
BTW, am reading the 3rd Travelling Pants novel (Ann Brashares) and loving it - more than the first two. She really gets the emotional stuff with her characters working so well.

Have just finished reading "How I Live Now" by Meg Rosoff. A fascinating book - a good read that kept me turning the pages and wondering "how much worse can things get" and of course they get much worse! So also a great book for a writer to read. The voice is unusual (look at all those really long, run-on sentences that are still punctuated correctly so you can easily follow them), and the constant raising of stakes is also great to think about as a writer. So often we are too kind to our characters and so nothing much happens. In a discussion list I'm on, they talked about the US edition of the book which has a page with a large black "hole" on it - I didn't get that in my edition. Pity. I was curious to see where it was in the story.
Also interesting that the girl in the story has anorexia, and how it is talked about (well, it's not really!).
I have been slogging away, day after day (including Easter) on the first draft of the fantasy novel, and yesterday I finished it. Then of course last night I lay in bed and thought about all the things I should have tied up at the end and didn't, so the first job is to go back and rewrite the ending. One of my faults I have to work on - don't rush the ending. Sometimes it's such a relief to finally make it that I pull the finish line towards me instead of keeping up that great pace towards it.
Oh well, what is rewriting for?
I also started a new YA novel last night - a story I have been thinking about on and off for months. It may go nowhere, but I have a beginning, so we shall see.

This up and down life. Last week all was good - writing was happening, had had two acceptances and sorted out (hopefully) a tricky contract, teaching was up and running ... then what happens? My agent doesn't feel my new novel is working. I get a rejection from an editor who'd held something for 4 months that I was really hopeful about. My husband loses his job and is not coping with being at home.
It doesn't take much, does it? Suddenly you feel like being a writer is the most demoralising job in the world!
But then I received a weekly email writers' newsletter and there is an article about Dealing with Discouragement. It talks about feeling low and why you might want to give up if you can't cope with the *many* discouraging things that will inevitably come your way as a writer. And how we often encourage people to keep writing and keep trying to get published even though it makes them miserable...
And I suddenly think - Stop feeling sorry for yourself. Writing makes you feel ten times (make that a thousand times) better than anything else you do, published or not. And I also remind myself that I am doing OK, really OK, and it's silly to let a few bad moments get me down. And I pick myself up and get going again.
11,000+ words in 3 weeks is good. That's what I will focus on.

I have been working on the fantasy novel I was commissioned to write, using an outline that they approved first, and a plot diagram. About 10,000 words so far, and feeling OK about it.
I regularly read Jane Yolen's journal, and the latest post has some very interesting comments about revision, which she has been asked about several times on her most recent tour.
I thought this was interesting as we seem to have been talking a lot in my Novel 2 class lately about rewriting and fixing things, and whether outlines help. It also came up in short story 2 class last week. They wanted to know if it was worth outlining a short story, and what I did. I had to admit that mostly I don't outline short stories, but that I often don't write a story until I have thought it out in my head and know what will happen.
I think that I have changed my writing methods over the past 2 years, mainly because I have been forced to write outlines for a couple of things (and worked out what doesn't work in outlining for me), then I did that sample for the book packager from their outline, then I tried out the stuff in the Elizabeth George book.
It's all helped. I feel now that if I do an outline that satisfies me, create it as a plot diagram (as EG does, kind of) then the writing works so much better structurally (and hopefully in other ways) that the revision part of it works better too. Not so much of the huge mass of words with no idea how to fix it except start again.
And now I also feel that I don't have the time or the energy to spend months trying to work out how to fix something. If I do the preparation stuff right, I tend to get the rest of it working better.
Anyway, just a few thoughts on this quiet Monday!!

Yesterday I had a "plot meeting" with a writer friend. Took my draft so far (35000 words) but didn't really look at it, except to check a couple of things. I also had a diagram of major scenes, and a map with dates for where my pirates went and on what date - approximately. We talked about character and plot arcs and lots of other writing stuff. I came home and have been thinking about where the story is going. Not where I planned. I seem to have changed two major character relationships in a way that is affecting the whole story.
Should I go with where the current flow is leading me? Or do I rein it back and return to the original story line? I just don't know, but my gut is telling me to go with the new flow. I think I need to read through all I've written so far and have a good, long think about it all.
I have received the go-ahead for the fantasy novel I was asked to write. It's part of a series that is selling quite well in Australia. An exciting opportunity and I am happy with the outline I prepared for them. I intend to work further, outline in more detail, so that the writing will come easier. I have a bible to work with, but as most of my story is in a new invented world, I am not that restricted.
And yesterday I spent a large amount of my time working on bum poems - or should I say, lovely poems - odes - to the bum. For an ad agency. It sure is interesting to have a website and see who contacts you through it, and why. Who knows if any of my poetic efforts will meet with approval? If they do, I'll have to suffer hearing them over and over in the media for the next however long. Penance?
Today must be a writing day. Can I juggle two novels at once? It helps that I can use similar material (pirates) but each story must be its own. I think that's where the outline will pay off.